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Applying a new speaker cloth

B7X63A-baffle-ready.jpg
The B7X63A I acquired in 2008, had a torn and badly stained speaker cloth. Through the Dutch association NVHR, I had come in contact with Corrien Maas, a very special weaver, whose passion it is to help out radio collectors by reproducing impossible to find speaker fabric. She approached the original as close as possible and made a few test fabrics for me. On this page, I will describe the steps I took to prepare the new speaker fabric and glue it to the baffle. This wasn't my first speaker cloth repair. At the end of the page I will treat some other methods I have used in the past.
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Preparing a frame

The method I used to attach a new speaker cloth to the baffle of an old radio has previously been described in the March 2001 issue of the NVHR magazine, “Radio Historisch Tijdschrift”.

The fabric needs to be stretched and straightened to make sure it will be perfectly straight and will not become floppy. So my first step was to construct a rectangular frame to fix and stretch the speaker cloth.


    The frame ready to use, barely larger than the baffle.

The frame ready to use, barely larger than the baffle.

I measured the size of the baffle and piece of fabric. From a few scraps of wood I made a rectangular frame that was about 2 cm smaller than the piece of fabric. The fabric was only 4 cm larger than the baffle so I didn't have much margin.
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Fabric to the frame

The next step was to glue the fabric to the frame. As I said, I only had 1 cm of slack. Using string sticky tape (not as strong and sticky as Duct Tape, as I was afraid to pull strands from the fabric), I attached the fabric to the frame at the short sides. I made sure that the sides of the fabric were parallel to the frame. After that, I squirted white wood glue between the fabric and the frame and left it to dry for a day.


    The fabric attached to the frame and stretched in both directions.

The fabric attached to the frame and stretched in both directions.

After a day, the fabric was stuck to the short sides of the frame. I could now increase the tension. I did so by unscrewing one of the sides and driving two wedges (halves of cloths pins actually) between the side and the long sides of the frame. When I had a suitable tension, I fixed the sides again. After that, I used tape again to straighten the fabric and attach it to the long sides of the frame. When it was straight, I squirted glue again and waited for another day. I also stapled the tape to the long sides, as I was afraid that the adhesive of the tape might come loose before the glue was cured.
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Detaching the old fabric

Getting the old fabric off the baffle was easy. I used warm water with a bit of dishwashing detergent and wetted the surface of the fabric. I could pull off the fabric quite easily, except for the spot where a previous owner had used white glue in a repair attempt. Left-over strands and specks of glue could be easily removed using a putty knife.
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What adhesive to use

There are several options for the adhesive to use. Of course, one would like to use the same material that was used in the factory, but the information about this is scarce and sometimes contradictory. I decided to try the bone glue.


    The jar of glue, heated au bain Marie.

The jar of glue, heated au bain Marie.

Before doing the real thing, I warmed up an amount of glue and glued an old T-shirt to a piece of wood. That worked well, though the fabric could be fairly easily be torn loose, except for the spots where the glue was still really fresh when the t-shirt was applied. As you will understand, the glue will cool down quickly after application, becoming less liquid and less adhesive. But it was strong enough, even on places where the fabric could be torn loose.
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Glueing the fabric on


    Frame and the fabric upside down on pair of supports.

Frame and the fabric upside down on pair of supports.

I took the frame with the fabric and put it upside down on a pair of supports. I placed a lamp under the frame so I could easily align the baffle to the strands of the fabric.


    The baffle has to be warmed up using a hot air gun.

The baffle has to be warmed up using a hot air gun.

First I put the jar of glue in a bowl of hot water on an electric heating plate. Stirring the glue with my left hand, I started to warm up the baffle using a hot air gun in my right. This took about 15 minutes. When I thought the baffle had warmed up sufficiently, I took a brush and spreaded the glue over the baffle quickly. When it was all wetted with glue, I picked it up it and put it upside down on the fabric in the frame.

    The baffle put upside down on the fabric in the frame.

The baffle put upside down on the fabric in the frame.

The purpose of the frame is to stretch the fabric so it will have a good tension in the speaker opening. To tension the fabric a bit more, I put some extra weights on the baffle. I pressed the fabric against the wood to make it stick better, and waited for the glue to cure.

That didn't take too long, only a few hours. I carefully cut the fabric from the frame and heated the jar of glue again. Then I dabbed the sides of the baffle with glue and folded the fabric around the sides.

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Messed it up a bit

The next day, I cut off the excess fabric on the sides and I cut the hole for the tuning indicator in the middle. The fabric was a little bit loose around the hole. I thought I could easily fix that by reactivating the glue.

That was a mistake...

I ironed over the baffle near the tuning indicator, using a damp tea-towel to add extra moist. This worked a bit too well, so that the liquified glue came through the fabric on the places where ironed, causing stains. That wasn't funny. After letting the glue cure again, the stains were slightly less visible. But they are still there...


    Made holes in the fabric for mounting. Some stains appeared after ironing.

Made holes in the fabric for mounting. Some stains appeared after ironing.

I tried to clean the fabric surface using a brush and warm water with dishwashing detergent. That didn't really help, things seemed to get worse.

So I gave up and hoped that the stains would eventually be camouflaged by the ornaments on the baffle. I mounted the vertical bars and the window for the tuning indicator. As my wife said: if you don't know it, you don't notice. So I hope.


    Mounted ornaments again. Looking better (I hope).

Mounted ornaments again. Looking better (I hope).

After this, I mounted the baffle in the cleaned and polished cabinet and finished the repairs to the B7X63A.
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Other speaker cloth experiences

On earlier occasions I have fixed the speaker cloth of three other radios before the B7X63A:

        Baffle of the 470A with new speaker cloth

Baffle of the 470A with new speaker cloth

On the Philips 470U I bought a custom fabric by Corrien Maas, Here, I used the frame method for the first time, but I used a different type of adhesive (wall paper paste).

On the Philips 170A the fabric had come loose at the lower left hand corner. It looked warped and loose. I didn't want to detach it for fear of tearing the fabric, so I reattached the corner using strong white glue. In order to stretch the fabric, I stuck Duct Tape to the side and pulled the fabric straight by the tape. This was a risk, but I was lucky and didn't tear the fabric nor did I pull out many strands. The result is quite reasonable, but the lines in the fabric aren't perfectly straight.

On the Philips 667A I restored in 2005, I decided to go cheap and use the fabric from a spare BX560A baffle I had. This type of fabric is not identical, but it is good enough. The piece of fabric was only just large enough. Having no margin at all, I couldn't use a frame to stretch the fabric. Instead, I used duct tape to stretch the fabric and fix it to the baffle while the glue was drying. The result was not bad, although after 4 years, the fabric is a bit floppy in the baffle opening.

So there are many ways to vary. Try if you like but at your own risk.

Copyright © 2010 by Onno's E-page         published 2010-04-18, last updated 2010-05-05